Primary research is important when creating a thriller movie because you need to know who your target audience is, and what kinds of things they'd like to see. This means that the movie will receive better results from the audience because their view has been taken on board, and used in the film.
I asked a mixed group of thirty people to answer my questionnaire.
Questionnaire.
1.State your gender. M/F
2.Which age group do you fall into?
12-14 15-17 18-20 21+
3.Which sub-genre of thriller movies provides you with the most entertainment?
Psychological Action Crime Sci-Fi Other
If 'other' please specify____________________________
4.What themes are preferred within thriller movies?
Obsession Revenge Hatred Rape Other
If 'other' please specify______________________________
5.What kind of entertainment do you seek when you’re watching a thriller?
Excitement Tension Fear Other
If ‘other’, please specify:
_______________________________________________________________________________________
6. Do you prefer stereotypical characters, or subversive characters?
7. Which lighting technique do you think would add more tension to a scene?
Low Key Under lighting High Key
8. What colour clothing would you prefer the antagonist to wear?
Black Purple Green Blue
9.Do you think the victim should wear white? Y/N
10.Do you think weapons will help add fear to a scene? Y/N Why? _______________________________________________________________________________________________________________________________________
11.Should colour be used within the scene (e.g. red mist over an eerie scene)? Y/N Why? _______________________________________________________________________________________________________________________________________
12.What editing effects would be most effective?
Fade to black Slow motion Jump cut Dissolves
13.What settings do you think would be appropriate for a thriller?
_____________________________________________________________________________________________________________________________________________
14.Do you think that children add a chilling atmospheres when they are involved in thrillers? Y/N
15.State one of your favourite thrillers, and say why.
_____________________________________________________________________________________________________________________________________________________________________________________________________________________
Labels
- Evaluation (7)
- Final Product. (1)
- Planning (12)
- Post-Production (2)
- Preliminary (1)
- Research (13)
Sunday, 27 October 2013
Research:Narrative Themes and Plots.
Themes are the elements that are present in a narrative, that make the audience feel a certain way. An audience would expect to see specific themes within the genres. For example, you'd expect to see marriage in a romantic comedy.
Themes are reliant upon the genres because that way,the movie will make sense. If the themes and genre don't really match, then the audience will get confused easily.
Some of the common themes in thrillers include:
-Revenge
-Kidnap
-Rape
-Lust
-Death
-Murder
-Obsession
-Hatred
Each of these themes are all elements that make up thriller movies. As most of these themes occur in real life, it makes the movie that much more scary to an audience, as they will associate the events within the narrative with real life.
Themes are reliant upon the genres because that way,the movie will make sense. If the themes and genre don't really match, then the audience will get confused easily.
Some of the common themes in thrillers include:
-Revenge
-Kidnap
-Rape
-Lust
-Death
-Murder
-Obsession
-Hatred
Each of these themes are all elements that make up thriller movies. As most of these themes occur in real life, it makes the movie that much more scary to an audience, as they will associate the events within the narrative with real life.
Research:Narrative Theory.
Narrative is basically the plot or storyline of a movie. If an audience read the narrative of a film,then they will feel a sense of expectation as to what will happen.
Propp's Theory: Film As Fairytale.
Propp was interested in the narratives of folk tales, as they would all include the same characters,therefore,the narratives would be similar,as he believed that characters provide structure for the narrative.These characters include:
The Hero- A character that seeks for better things.
The Villain- Opposes or actively blocks the hero's quest.
The Donor- Provides an object with magical properties.
The Dispatcher- Sends her on the quest via a message.
The False Hero- Disrupts the hero's success by making false claims.
The Helper- Aids the hero.
The Princess- A reward for the hero, and object of the villains plots.
The Father- Rewards the hero for his effort.
According to Propp, the characters in folk tales always followed the same stages within each narrative. These are:
Complication- This is where the hero plans action against the villain.
Transference- The hero reacts to the donor.
Struggle- The villain has to be defeated.
Return- Hero returns,but is not recognised.
Recognition- False hero or villain is unmasked,and hero is rewarded.
Todorov's Theory:
Equilibrium(Start) > Disequilibrium(Middle) > New Equilibrium(End).
The equilibrium is how the character appear stable at the beginning.
The disequilibrium is when something disrupting happens, and a change occurs that needs to be sorted.
The new equilibrium is normally when the disruption is sorted and narrative is closed.
Todorov believed that most narratives followed this structure. Later, two more were added to the structure.
Equilibrium > Disruption(Disequilibrium) > Resolution > Restored Order > New Equilibrium.
Aristotle's Theory: The Importance of Plot.
Aristotle believed that the start,middle and end of a narrative needed to link, make sense, and be quite probable. He also thought that it was important to arouse emotion from the audience and this is mainly within tragedy(fear and emotion).
Barthes' Theory:Semiology Within Narrative.
Barthes believed that narrative uses:
Action- Understanding and resolution is understood by action seen.
Enigma- Teases the audience by presenting a puzzle or riddle that needs to be solved.
Symbolic- Use of connotations.
Semic- Denotation.
Cultural Understanding- Events which can be recognised as being part of a culture.
Thrillers tend to follow a mix of Aristotle's theory,and Barthes' theory. This is because the events in thrillers are designed to evoke fear in the audience, and also many connotations and denotations are used in thrillers.
Propp's Theory: Film As Fairytale.
Propp was interested in the narratives of folk tales, as they would all include the same characters,therefore,the narratives would be similar,as he believed that characters provide structure for the narrative.These characters include:
The Hero- A character that seeks for better things.
The Villain- Opposes or actively blocks the hero's quest.
The Donor- Provides an object with magical properties.
The Dispatcher- Sends her on the quest via a message.
The False Hero- Disrupts the hero's success by making false claims.
The Helper- Aids the hero.
The Princess- A reward for the hero, and object of the villains plots.
The Father- Rewards the hero for his effort.
According to Propp, the characters in folk tales always followed the same stages within each narrative. These are:
Complication- This is where the hero plans action against the villain.
Transference- The hero reacts to the donor.
Struggle- The villain has to be defeated.
Return- Hero returns,but is not recognised.
Recognition- False hero or villain is unmasked,and hero is rewarded.
Todorov's Theory:
Equilibrium(Start) > Disequilibrium(Middle) > New Equilibrium(End).
The equilibrium is how the character appear stable at the beginning.
The disequilibrium is when something disrupting happens, and a change occurs that needs to be sorted.
The new equilibrium is normally when the disruption is sorted and narrative is closed.
Todorov believed that most narratives followed this structure. Later, two more were added to the structure.
Equilibrium > Disruption(Disequilibrium) > Resolution > Restored Order > New Equilibrium.
Aristotle's Theory: The Importance of Plot.
Aristotle believed that the start,middle and end of a narrative needed to link, make sense, and be quite probable. He also thought that it was important to arouse emotion from the audience and this is mainly within tragedy(fear and emotion).
Barthes' Theory:Semiology Within Narrative.
Barthes believed that narrative uses:
Action- Understanding and resolution is understood by action seen.
Enigma- Teases the audience by presenting a puzzle or riddle that needs to be solved.
Symbolic- Use of connotations.
Semic- Denotation.
Cultural Understanding- Events which can be recognised as being part of a culture.
Thrillers tend to follow a mix of Aristotle's theory,and Barthes' theory. This is because the events in thrillers are designed to evoke fear in the audience, and also many connotations and denotations are used in thrillers.
Research:Scream Analysis.
How is the opening sequence of Scream conventional to a thriller opening?
At the beginning of the opening sequence, an establishing shot is used to set the scene. It connotes that the scene will take place in someone’s house, which is supposed to be a safe place. The image of the house has quite an eerie feel to it, as it is in a very derelict, woodsy area, and it is night time, which already put the audience on edge, as they anticipate something to happen. The fact that this scene takes place at night is conventional to a thriller movie, as the most dangerous things happen at night, when there are not many people around. This will make the audience feel scared for the victim because they can estimate that her safety is in jeopardy.
At the beginning of the scene, the female victim seems very relaxed in the comfort of her own home; we can see this by her relaxed posture, and facial expression. Even when the phone rings the first time, she is still very calm, and even a little flirtacious. This tells the audience that she feels very safe, and she isn’t expecting anything bad to happen to her. This is conventional to a thriller because the scenes always tend to start off with an equilibrium, with an un-suspecting, innocent, naive victim.
As the scene progresses, we see the victim become more uncomfortable, as her body language is more stiff and ridged, and her facial expression is much more fearful. At this point, the non-diegetic soundtrack starts to play faintly, suggesting that something is about to happen. This strikes fear in the audience as they can sense the action. This is conventional because a fast-paced soundtrack is often used to highlight the action.
Once the female realises that the unknown caller is quite intimidating and suspicious, the diegetic clown-like laughter of the caller suddenly becomes much creepier. A medium close up is used when we see her looking out of the back door. Here, we notice that she is wearing white which connotes to her innocence as a teenager. This is quite conventional, because most female victims tend to wear white to suggest that they are pure, and vulnerable. From this, the audience can clearly identify that she is the victim. Also, the low key lighting of the lights outside, are faintly shining on her face, which highlights her terrified expression, as well as makes the rest of the setting around her appear more scary, as more shadows of the objects behind her, are cast. This represents a thriller film, because shadows and silhouettes create a fear of the unknown in both the audience and characters in the scene.
At the beginning of the opening sequence, an establishing shot is used to set the scene. It connotes that the scene will take place in someone’s house, which is supposed to be a safe place. The image of the house has quite an eerie feel to it, as it is in a very derelict, woodsy area, and it is night time, which already put the audience on edge, as they anticipate something to happen. The fact that this scene takes place at night is conventional to a thriller movie, as the most dangerous things happen at night, when there are not many people around. This will make the audience feel scared for the victim because they can estimate that her safety is in jeopardy.
At the beginning of the scene, the female victim seems very relaxed in the comfort of her own home; we can see this by her relaxed posture, and facial expression. Even when the phone rings the first time, she is still very calm, and even a little flirtacious. This tells the audience that she feels very safe, and she isn’t expecting anything bad to happen to her. This is conventional to a thriller because the scenes always tend to start off with an equilibrium, with an un-suspecting, innocent, naive victim.
As the scene progresses, we see the victim become more uncomfortable, as her body language is more stiff and ridged, and her facial expression is much more fearful. At this point, the non-diegetic soundtrack starts to play faintly, suggesting that something is about to happen. This strikes fear in the audience as they can sense the action. This is conventional because a fast-paced soundtrack is often used to highlight the action.
Once the female realises that the unknown caller is quite intimidating and suspicious, the diegetic clown-like laughter of the caller suddenly becomes much creepier. A medium close up is used when we see her looking out of the back door. Here, we notice that she is wearing white which connotes to her innocence as a teenager. This is quite conventional, because most female victims tend to wear white to suggest that they are pure, and vulnerable. From this, the audience can clearly identify that she is the victim. Also, the low key lighting of the lights outside, are faintly shining on her face, which highlights her terrified expression, as well as makes the rest of the setting around her appear more scary, as more shadows of the objects behind her, are cast. This represents a thriller film, because shadows and silhouettes create a fear of the unknown in both the audience and characters in the scene.
Research: Mise-En-Scene:Setting&Iconography.
Setting and Iconography are important to a thriller because
they can create an initial understanding of what will occur, without the
audience actually having to see anything yet.
Denotations are the physical presence of something e.g. a
knife, and a connotation is what you can interpret from an object e.g. the
knife will represent death, and murder.
The setting of a scene can influence the emotion that is
drawn from it. For example in a thriller movie, the locations would normally be
in a dark, derelict area. This is because they are quite eerie places, so the
audience will become more afraid of the events that are happening. This is
because no outsiders would be there to help them escape form the antagonist;
therefore, they will know that they are probably going to die.
The setting of a scene is very dependent on the sub-genre of the film, also. For example, a psychological thriller is more likely to be set in a house, because it makes the audience question their safety of their own home. Whereas, an action thriller is more likely to be set in an urban location, because the action of the scenes ties with the busy atmosphere of the location that has been chosen.
The setting of a scene is very dependent on the sub-genre of the film, also. For example, a psychological thriller is more likely to be set in a house, because it makes the audience question their safety of their own home. Whereas, an action thriller is more likely to be set in an urban location, because the action of the scenes ties with the busy atmosphere of the location that has been chosen.
Tuesday, 22 October 2013
Research: Mise-En-Scene: Costume, Body Language&Facial Expressions.
Costume is the clothing that the characters wear during the
film.
Body language is how a character holds themselves or their
posture during certain points of the movie.
Facial expression is the emotion that is displayed on the
characters’ face at different moments of the film.
Each of these elements help with how a character is
represented because the audience can judge who the characters are, and their
status within the film, just by taking in what they are wearing, and their body
posture, in the first scene alone.
The stereotypical antagonist will normally wear black, as
this connotes evil, dark intentions, and untrustworthy.
The body language of a victim would be quite curled
in-worlds, and they would have a fearful expression. This would demonstrate her
discomfort and fear of the antagonist, and the events that may be happening.
This is conventional because the audience are expected to feel sorry for the
victim.
An antagonist would normally have a very proud, upright body
posture, and their face could be quite mocking and sarcastic. This could show
their confidence and arrogance towards their plan of events that will possibly
occur.Research: Mise-En-Scene:Lighting&Colour.
Lighting is a tool that is heavily relied upon in
movie. Through lighting and colour, the
audience can tell on whether a scene has a happy, tense or eerie atmosphere to
it. The correct light is extremely important, because if it is not, then the
audience will not respond the right way. For example, a thriller that takes
place in the daytime might not have the same impact, and may not be as scary as
one that is set at night with low key lighting. This allows the audience to
fear the scene more as things may be hidden in the darkness, or they may just
have a general fear of the unknown.
The different types of lighting include:

Top Lighting- When light is coming from above the
characters/scene.
Back Lighting- When light is coming from the back of the characters.
Under Lighting- When the light source is under the character
(normally directly below their face).
High Key Lighting- When lots of light is used in a scene.
Low key lighting- When very little light is used in a scene.
Low key lighting is typically used in thrillers because this
type of light tends to cast more shadows and makes everything appear scarier.
Colour can be used in scenes to make the audience experience
certain emotions. For example, using a red filter in a scene will normally
signify blood or death, so the audience is more likely to feel afraid for the
victim/protagonist.
This colour is quite conventional in thrillers because death
is normally a key theme that is used.
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